UK charts 70's V

Given the sudden rise in popularity of Kate Bush, it was only inevitable that there would be knockoffs in her wake. One of the more notable examples comes from Lene Lovich who copied the quirky nature of Kate on her big breakthrough single despite being nearly a decade older than the young singer/songwriter. This became almost as big as Kate's debut single from the previous year for the record.

This was the song that Liv Maessen stole the success of here in Australia given how Mary Hopkin was also on a roll going into the 70's given how she capped off the 60's with two of its biggest hits. She was credited as one of the first clients on the Beatles Apple label, although there was some concern at the time given how she was barely in her twenties when she signed her contract with them.

This was originally a hit for the French trio Gibson brothers just as the decade was starting throughout Europe, I guess we Aussies weren't interested in it at first due to it coming off as a bit too silly for us. We changed our minds a year later likely due to us wanting to support disco whenever we could given how to this day, Americans will claim that the disco backlash of 1979 forever killed the genre.

This was another huge hit that T Rex had throughout the world, it's far more fondly remembered than their earlier entry on this list likely due to its protest lyrics about being a part of a revolution which likely helped it stand out from the many glam rock tracks of the day.

This was originally an instrumental theme for the Hollywood blockbuster Love story; however, it was turned into a love ballad at the last minute when the producers decided to recruit American crooner Andy Williams to sing over the instrumental theme in order to score a hit for the film's soundtrack. This gambit paid off here in Australia where it was a huge hit, not so much anywhere else in the world where it wasn't.

This was a collaboration between two fairly unknown singers Scott Fitzgerald and Yvonne Keeley who were back up by some school choir which somehow managed to make this song a massive worldwide success. If this concoction of people involved with the track isn't confusing enough, the song is a combination of reggae with what appears to be the earliest forms of new wave making it a unique sounding song.

Well, we had to get to this track eventually, this is yet another song on this list that has gone down in infamy due to the subject matter which depicts Ringo Starr "owning" a sixteen-year-old he has the hots for. This was originally a hit for Johnny Burnette in 1960 (the father of Rocky Burnette of "Tired of toeing the line" fame) who would tragically pass away four years after his version made it big.

This is one of the less well remembered songs to become a massive success in Australia back in the day, even so it's easy to see how this was a big hit here given how joyous and happy the song is. Pilot did score a second hit with "Magic" which became a surprise hit for them in America of all places.

This was a different side to Rose Royce as they went from the happy go lucky "Car wash" to a more downbeat breakup ballad about how the love is gone and that this person should move on from them. It was a bit of a sleeper hit here in Australia likely due to the contrast of what had come before from the band, although nowadays people are likely more familiar with Madonna's version from 1996.

While this is more in line with new wave, the fact that punk band Squeeze (or UK Squeeze as they were known as here for some reason) were able to find success with this track proves that we Aussies were at least somewhat intrigued by the UK punk scene from around this time. I'm not sure why this scene wasn't widely accepted here as it caused us to miss out on a lot of important tracks of the day.

We'll be looking at quite a few instrumental tracks on this list given how they seemed to be plentiful during the first half of the decade, by far the biggest came from Hot butter who were an American instrumental band who took the world by storm with this gem. If the melody sounds familiar to you, that's because Crazy frog "covered" this track on its 2005 album and found massive success with it.

It appears that Mike Oldfield managed to achieve a third hit throughout his career here in Australia with this instrumental, although it appears we Aussies were a bit turned off by his medieval influences on the track as opposed to his fellow Brits who allowed this to be a mainstream success in his homeland.

This was the lead single to David Soul's second album, an album that wouldn't see much success despite it spawning two of his biggest hits worldwide likely due to those songs failing to become as such in his native America. Yeah, it turns out he's a one hit wonder with his first entry on this list on the Billboard charts, proving how much more popular he was internationally back in the day.

Well, I didn't think I'd be featuring a song from the man who produced the earlier albums from the fab four on this site, however he evidently gave a music career as a frontman a shot which led to him scoring a massive worldwide hit with this pop rock track as his debut single. It was his only hit worldwide as he quickly reverted back to being behind the scenes despite its success.

Although they're best known for their disco classic "Groove thing" (which sadly won't be appearing on this blog) this was the big hit from Peaches and Herb due to it being their Billboard chart topper in their native America. It turns out that the Peaches on here wasn't the original Peaches when the duo formed a decade prior, in fact Herb Fame has gone through five different Peaches over the years.

This was the first solo hit that MJ had as an adult anywhere in the world (his first solo hit overall was with "Rocking robin" from earlier in the decade) it's also the first hit of his to feature Quincy Jones as his executive producer which resulted in some of his finest work both solo and with his family. Despite it clearly being a disco track, it still remains one of his more fondly remembered songs to this day.

This is the second single released from Cosmo's factory, it was also the first of two chart toppers the band had here in Australia which goes to show how immensely popular the swamp rockers were during the height of their fame. Like many bands that began the decade on a high note, their time in the spotlight would quickly dwindle due to behind-the-scenes drama resulting in their breakup in 1972.

I guess we Aussies were familiar with this breakthrough single from Queen after all given how long it lingered in our charts back in the day, indeed you can make the argument these guys were among the first to be negatively affected by Countdown considering how successful this was internationally for the iconic band.

This was the first hit that the Glitter band managed to achieve once they had established themselves as the hottest new name in their native UK due to of course being the backing band for Gary Glitter, it's a glam rock track much likes the rest of their and their troubled frontman's catalogue which of course was guaranteed success here in Australia this year as well.

This was the debut single from Fox which they rereleased following the success of their earlier entry on this list, it became a big sleeper hit here in Australia given this was technically the follow up to that chart topper they had even though it had already been a massive success over in the UK over a year prior to its eventual success down under.

I'm not entirely sure how to categorise this track from French composer Jean Michel Jarre, I guess it's a hybrid of rock opera and actual opera which I'm sure was why this managed to become such a massive success in NZ but not here in Australia as it would've been too abstract for us Aussies to comprehend it whilst dealing with our ever-changing local music scene.

OK so I exaggerated when I said earlier in the list that "Boogie wonderland" was the only hit these guys had in Australia, it was their only top ten hit and the only hit for the Emotions, however these guys did score a hit earlier in the year with this disco classic from their greatest hits package. I guess the fact the greatest hits album was a success did mean that we were at least aware of their catalogue back in the day.

In a way, I'm kind of shocked that this managed to become a sleeper hit in NZ and a massive hit in the UK given how no one in America knew about this genre until Blondie's "Rapture" became a huge chart topper on Billboard months after this was a huge success in both countries. It's often regarded as the true introduction to hip hop given how well it holds up in the scene to this day.

This is one of those songs that is fondly remembered by 70's afficionados but is rather silly the more you think about its lyrics, I mean can anyone explain the poetic genius of lines like "there were plants and birds and rocks and things there was sand and hills and rings" and "in the desert, you can remember your name cause there ain't no one for to give you no pain?" I think because of these dodgy lyrics, this remains the band's only hit here in Australia.

There was no stopping these guys given how they saw massive success with their top entry on this list, although it's worth noting they weren't always in the glam rock genre as a lot of their earliest work was more in line with teen pop (at least what the early 70's would define as such.)

OK so this is a song that is problematic even at the time of its release, anyone who's ever found themselves in the situation that goes on in the lyrics will tell you that it's not a situation that should be glamourised the way it is on this track. Admittedly Mary quickly became aware of this as she has since distanced herself from this track even if it came at the expense of scoring another hit.

It turns out this was also a sleeper hit for the Emotions here in Australia, I would say I've evened out their representation on both sides of this site except no amount of expanding this list will allow "Flowers" to appear on it due to it failing to chart here. It makes sense we Aussies knew of this songs existence back in the day given how heavily its played-on oldies stations to this day.

Ever wanted to hear what Mike Oldfield would sound like if he combined glam rock with disco in one of his instrumentals? Well, someone named Richard Hewson did just that as under the pseudonym the Rah band, he managed to marry the two genres together with to make a song bizarre enough to become a huge hit in his native UK as well as a sleeper success here in Australia.

This was a massive hit due to it being the Bond theme for the Spy who loved me, one of the more popular films during the Roger Moore era of the franchise. Of course, Carly Simon was a good choice for submitting a Bond theme given that she was one of the more popular artists of the decade, even though this was her first hit in Australia since her cover of "Mockingbird" four years prior.

This was the first solo hit to come from MJ, suffice to say that this is very different from his later material given how he was still a child when he recorded this track for the film of the same name. Incidentally, this is a horror film which just so happens to have the occasional sentimental scene, making this ballad highly inappropriate to be its theme song regardless of the context of the lyrics.

It makes sense that these guys would perform this track on Countdown thirteen years after its initial release given how it was indeed one of the biggest hits of the decade here in Australia back in the day. Interestingly, this was only a hit in America two years after it became a massive worldwide success, even more curiously it was around the time that they topped our charts with "Fox on the run."

We looked at "Whodunit" on the NZ side of this site, time to look at the big hit that Tavares achieved internationally back in the day which the kiwis for some reason ignored even though they were clearly aware of what these guys had to offer. We Aussies also ignored these guys for the most part, however we had the excuse of this not fitting in with what Bay city rollers, Sherbet and Abba had to offer.

While this was indeed an 80's hit for the Buggles over in America, this was released just as the 70's was winding down throughout the rest of the world making these two future members of Yes score their big breakthrough two years prior to when MTV launched by playing this music video as the first thing to appear on the channel when it launched.

This is the only other hit that Badfinger achieved here in Australia, it was also their breakthrough hit even though "Come and get it" was a huge worldwide success for the Welsh band at the start of the decade. This feels like a bit of an outlier for the band given how much heavier it is compared to the rest of their catalogue.

We have one final appearance from Neil Diamond on this list, it's another big worldwide hit he had proving yet again that he was on top of the world during the first half of the decade regardless of where you're from.

#43 for 1972

This was the big breakthrough hit that David Essex had in his career, it's a bit of a far cry from all the other songs we've featured so far on this list given how this feels more in line with the glam rock scene of when it was released rather than the more pop friendly tracks from the second half of the decade. Interestingly enough, it remains his only hit in America despite how much bigger his later catalogue was over this.

This is one of those songs that I'm dumbstruck wasn't more of a mainstream success here in Australia given how much oldies stations love to put it in their rotation these days, indeed this is another early victim of the Countdown curse given how well it did throughout Europe and in Steve Harley's native UK upon its initial release. At least we Aussies did notice this back in the day unlike other staples on those stations.

This was the only hit from English pianist Peter Skellern, it was a massive hit for him here in Australia and his native UK likely due to this coming out right before Elton John took over the world with his top entry on this list. It's interesting to theorise how big this guy would've been had Elton not become one of the biggest names in music worldwide.

I think I've done fairly well in keeping my commentary neutral on this list so far, however it's difficult for me to remain as such with this entry due to how obviously high on drugs Melanie is on this track. This obviously wasn't a deterrent for audiences back in the day as it remains her biggest hit in her catalogue, which is further proof that the 60's bled well into this decade given how this feels right at home at Woodstock.

This was the only hit for Minnie Riperton during her short life on this planet, yes, she would go on to tragically pass away by the end of the decade from cancer which makes this one of the more bittersweet hits to become a success on my site. This song has gained infamy for Minnie's high note at the end of each chorus as well as the lyrics admittedly making no sense, I think the song is cute for what it is.

This was the only noticeable success that David Dundas (sorry Lord David Dundas as he does have an official title) achieved in his music career, although he did score a minor hit here in Australia with "Another funny honeymoon" which means there was some appeal to this guy's music outside of this ad jungle for a jean commercial. Oh yeah, this was written specifically as an ad jingle, hence why it sounds like one.

This is widely considered to be Sherbet's signature tune and rightfully so, it's by far their most mature work as they incorporate cricket metaphors in order to describe the infidelity of their partner in this song. Sadly, the rest of their catalogue wasn't nearly this ambitious as it was mainly used to appeal to teenage girls.

It looks like the Bellamy brothers were able to escape the one hit wonder bin here in Australia with what has to be one of the corniest songs to ever be a hit anywhere in the world, I mean the title alone should tell you what you're in for here and yet this managed to be a sleeper success right when the decade was coming to an end here and in the UK of all places.

UK charts 70's IV

This was the second UK chart topper in a row for the Police, although I get the feeling this was a hit here more due to them performing it on Countdown rather than us wanting to hear about how Sting desires to be an astronaut. Regardless it was a huge success for the band and confirmed them as a household name here, heck their debut album even managed to become a success because of this.

This was the only success that the British band Sailor were able to achieve outside their native UK, I'm guessing this was a success due to glam still being popular this year despite it being more in line with what would eventually become new wave in the 80's. True to their band name, these guys did in fact have a gimmick of being a band of sailors who played for their ships captain.

This was the final hit that the Hollies managed to achieve here in Australia, although I'm sure they would've had continued success in the second half of the decade had Countdown not pushed them aside in favour of our local music scene. It's strange to think these guys found more success in the 70's than they did in the 60's down under considering how they greatly benefitted from the British invasion in America.

Before he became one of the biggest RNB stars of the 80's, Billy Ocean was a decently successful disco star of the 70's with this being his first major hit throughout the world. Even though he saw massive success in his native UK throughout the rest of the decade, this was his only hit here in Australia until he reinvented himself as an RNB singer for his 1984 album Suddenly.

Although they had success with their first album in NZ and their native UK, this was the big breakthrough that Sting and company had in Australia likely due to how they repeat the phrase "sending out and SOS" ad nauseum during the outro. Fortunately, the rest of the track is fairly complex thanks to the tight reggae inspired instrumentation as well as the lyrics about finding help for this doomed relationship.

We've featured the Joan Jett cover on this site on my list of Countdown performances, time now to look at the original version of the glam rock track from Gary Glitter which continued the icon's winning streak back in the day given how it was the lead single to his second album Touch me.

This is the first of two entries to come from the Kinks, it remains as their final hit single in most parts of the world due to the 60's band struggling to carryover their success into the 70's likely due to their two hits from the start of the decade being very different to the garage rock of their earlier material. It could also be that there's more of a novelty both of these tracks have compared to their earlier work lyrically.

We have another two for one deal on this list, this time it's from Elton John who decided to bundle "Rocket man" from Honky chateau with "Tiny dancer" from Madman across the water in order to cross promote both albums even though the latter had been out for about a year when this was released. Naturally this became a success for him here in Australia months prior to his top entry on this list.

For the longest time, I was more familiar with the Jimmy Cliff version of this song given how that became a huge worldwide hit in the 90's due to being the theme song for Disney's Cool Runnings. It turns out this was originally a hit for reggae singer Johnny Nash who scored a huge number one hit on Billboard with this track as well as it being a massive hit worldwide for the American soul singer.

Here we have another song that was inescapable from the Bay city rollers this decade in Australia, there's only so much I can say about these tracks without coming off as repetitive and redundant.

While this wasn't the debut single from Olivia Newton John (we'll look at that entry way down this list) it was the song that made her a household name given how it was easily one of the biggest hits of the decade here in Australia for the British born (at the time) country singer. It was due to this song's success that she decided to permanently migrate to Australia, at least until she decided to migrate to America a decade later.

This was the lead single to Queen's sequel album to A night at the opera, A day at the races. While it wasn't as big a success as "Bohemian rhapsody" (which admittedly few songs have been over the years) it did retain their popularity during the album cycle and led to them having a huge hit with their earlier entry on this list. The albums themselves were also a huge success back in the day in case you were wondering.

Wow was Suzi seeing diminishing returns in the mainstream worldwide as the decade went on, to think this woman was briefly the most successful in the rock scene with her first two albums both here and throughout Europe. Here she scores a hit with a song that's much softer than the glam rock that made her a household name earlier in the decade, although it did lead to her having a revival period.

And who says that feminist anthems are only a recent phenomenon? Here we have two of the most powerful women in the music industry to ever exist combining forces with this song about how they've had enough with being mistreated in this world. This comes after Donna realised that she was sending a dangerous message with her earlier material as well as Barbra wanting to appeal to Helen Reddy's audience.

This was the only notable hit that the Manhattans were able to score in Australia, I'm guessing because musicians of colour were finding it easier around this time to find international success given how inescapable Stevie Wonder was with his music. They did score a second hit over in NZ with "Shining star" in 1980, proving that there was some further crossover potential here that was squandered.

This is another musician of colour that had to wait for quite some time before they finally found any success in their career, in this case we have Dorothy Moore who scored a massive hit this year with this cover of an obscure track from around the time she began said career. This led to her album of the same name being a massive worldwide success before she was sadly relegated to yesterday's news.

So, have you ever watched Don Blueth's Anastasia and wanted to know what really happened with the historical figure portrayed by the film's villain? Well Boney M has you covered with this track that serves as a (admittedly brief) historical lesson as to what the man was really like during the Russian revolution which brought an end to the Russian tsars, all set to a catchy disco beat to boot.

Well, this is just depressing, not the song itself as it remains a disco classic to this day but rather that it was the only hit that both bands involved had here in Australia. There was little chance this was going to fail as it's a celebration of disco right when the genre seemed to be at the peak of its popularity, although it's likely due to this oversaturation that the disco backlash took place in America.

We have our final Oscar winning track on this list, I've saved the best for last as it's the title track from the Shaft series courtesy of Isaac Hayes who scored his only American hit with this jam. For the rest of the world, he scored another hit in the late 90's as his character in South Park Chef with "Chocolate salty balls" from the Chef aid soundtrack (it only barely failed to appear on this site.)

A decade before Joan Jett scored a massive hit with "I love rock and roll," we had Suzi Quatro tearing up the international charts with her debut single which comes from the glam rock genre. I bring this up because for whatever reason, Suzi didn't have any success in her native America until much later in the decade where she sold out in favour of an adult contemporary artist.

If you can believe it, this remains the biggest hit in David Bowie's career here in Australia given how none of his other songs managed to get to number one or even last long enough to be among the biggest of their respective eras. This comes from his covers album Pin ups, meaning that this is a cover of an obscure 60's track (from the McCoy's of "Hang on Sloopy" in this case) which resulted in said albums success.

This was the third time this ballad became a hit in Australia, the previous two were from the original singer Dusty Springfield and Bay City roller's version from 1976. This time we have Annie Lennox taking a stab at the track with her first band the Tourists, although technically this was the Eurythmics as David Stewart was part of the group as well. They would become the Eurythmics while the band were on tour here in Australia.

Often considered to be Suzi Quatro's signature track, this was indeed a massive hit for her here in Australia back in the day, so much so that she would perform it in the dying days of Countdown thirteen years after its initial release to massive fanfare. This just goes to show how fondly remembered the track remains even after all these years, as well as further proof women in rock was a thing in the early 70's.

This was originally written for a much younger performer to sing these lyrics, that makes sense as the lyrics are written in a way that suggests that the narrator is more than a little naive to the concept of sex. Confident though she may be on this track, Anita Ward was nonetheless able to take the world by storm with her one and only hit likely because of how titillating she comes off on the track which I'm sure turned audiences on.

For the second single in a row, Racey were able to top the Australian and NZ charts proving that there was still plenty of love for the rockabilly revival craze that people often forget is affiliated with the 70's. Their third single from their album was also a huge hit in Australia, however this would prove to be the end for the band as they haven't released any new material since.

It looked like Queen's fortunes had run out as the 70's was coming to an end given how they had failed to score any noticeable hit singles since the release of "We are the champions/We will rock you," however their popularity was revived with this lead single from their album the Game. One thing I'll point out about this track is how different Freddie sounds on here, almost like he was going for an Elvis impersonation.

This is the final entry from Donny Osmond on this list, he did quite well for himself with us Aussies despite his band being MIA on our charts back in the day. Heck if it wasn't for his sister Marie having a hit with her entry on this list as well as his younger brother Jimmy, he would've been the only member of the family we knew about.

#47 for 1974

This was the first solo single that Ringo Starr released in his career, naturally it was an immediate success for the drummer of the fab four given how his former bandmates had dominated the charts with their earlier entries on this list following their breakup from the start of the decade. His true peak in success would come with his second solo album which contains his other two entries on this list.

I always felt that Eruption was just Boney M under a different name given how similar the British band sounded to their German counterparts, as it turns out both of their biggest hits were produced by Frank Farian, so my assumption wasn't far off from the truth after all. This was the bigger hit that the group had thanks to vocalist Precious Wilson giving a well, precious performance of the Ann Peebles number.

Although these guys had success in their native America prior to this hit, this was the first of several Billboard chart toppers that Three dog night had likely due to them taking an Eric Burdon track and running through the funk sound with their interpretation. The rest of the world liked what they did with the track which allowed it to crossover internationally.

This is one of those hopeless romantic ballads that along with Nilsson's earlier entry on this list, tends to drive more cynical listeners (such as myself) insane with how pessimistic the lyrics are. This clearly wasn't the case for audiences back in the day as it became the breakthrough single for Irish crooner Gilbert O'Sullivan, although strangely it wasn't his biggest hit in his homeland like it was internationally.

While this wasn't their debut single, this was the song that put Abba on the map thanks to the song winning Eurovision for this year with its upbeat instrumentation and lyrics about the historical surrender of Waterloo used to compare to the love the two couples shared for each other. It's a song that's endured throughout the decades thanks to its unique premise as well as how cheerful it is.

I'm a bit surprised that these guys weren't more successful back in the day, mainly because of how well remembered their catalogue is as well as them being persistent on oldies stations. This was their first major hit in Australia due to it being a throwback track to the glory days of surf rock, and indeed this led to them having huge success here throughout the second half of the decade.

#36 for 1972

If you're unfamiliar with who Telly Savalas was, he was a crooner and part time actor who scored a massive hit in the UK with this spoken word track that also managed to become a moderate success here in Australia for him. This feels like it came from over a decade prior, meaning that this would've been an excellent year for pre-Beatles music here in Australia were it not for Countdown's presence.

This was the only hit to come from American singer Bobby Bloom, mainly because he would tragically pass away four years after its release due to a self-inflicted gun wound (there's actually speculation on if it was a suicide or his gun misfiring on him.) The song would be covered by Australian band Allniters a decade after his death where it became a modest success for them (albeit a sleeper hit.)

This was the only hit that South African singer John Kongos had in his career (side note this was an excellent time for African artists if this list is any indication) it's a song that's since been eclipsed here in Australia due to the Party boys cover from 1987. It's a song that's best known for its strong African style production from the drums to it having somewhat of a tribal ambience to it.

Given the success of the Mike Curb congregation from earlier on this list, these guys had to be referred to as the English congregation here in Australia as well as anywhere else in the world that "Burning bridges" had charted in order to avoid confusion with them. In any case, this was a decent hit here in Australia, although it was much bigger internationally likely due to the lack of confusion.

In most parts of the world, this was the final hit that Ray Stevens had as "Misty" from the following year didn't do very well due to it being one of his rare country ballads that was devoid of any humour or irony that connected with audiences in the places where it did become a success. Here we have him writing a comedy track about a streaker harassing a married couple that I'm sure audiences found hilarious at the time.

So, there was this trucker's craze during the 70's which apparently was so popular that this novelty track from country singer C.W McCall became a huge worldwide hit to cash in on it. Oh, I'm sorry did I call this guy a country singer? Technically he is but it's more accurate to say he's a marketing director who became C.W McCall after a bread commercial he originally created the character for failed to sell its product.

This was the lead single from Abba's album Voulez vous, an album that proved to be more successful than their previous effort likely due to it being released when the decade was coming to an end and audiences were overlooking the biggest music trends of the 70's. Indeed, this is one of their most well-known songs to this day, so there's little surprise that it was a huge success for them back in the day.

This was the final hit that Ray Stevens managed to achieve anywhere in the world, at the very least it's neither one of his comedy tracks or a song about racial harmony to try and make up for his blatantly racist humour. Instead, we have this country ballad which no doubt connected with audiences due to it being released during the height of John Denver's popularity worldwide.